Garrett Field’s scholarship explores the history of song and poetry in Sri Lanka and the Maldives, with particular attention to Sinhala- and Dhivehi-language texts. Dr. Field has also published on how musicians improvise in South Indian classical music. He has received support for his research from the Fulbright-Hays Award, Ohio University’s Baker Fund Award, and two Sinhala Language Instruction Grants from the American Institute for Sri Lankan Studies.

Field is the author of Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth-Century Sri Lanka (opens in a new window) (University of California Press, 2017). It was published in the series, "South Asia Across the Disciplines (opens in a new window)." He has published research articles in the following peer-reviewed journals: Analytical Approaches to World Music; Anthropological Linguistics; Ethnomusicology Review; Ethnomusicology Translations; The Journal of Asian Studies; Modern Asian Studies; Sagar: A South Asia Research Journal; South Asia: Journal of South Asian Studies; The South Asianist; and The Sri Lanka Journal of the Humanities.

In addition to this research, Field also performs South Indian classical music. His teachers were B. Balasubrahmaniyan, David Nelson, and Kalpana Venkat.

Book

• 2017. Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth-Century Sri Lanka. (opens in a new window) Berkeley, CA: University of California Press.

Peer-Reviewed Articles

• 2024. "Rhythmic and Poetic Qualities in Sinhala Speech (opens in a new window)" by Mahagama Sekera. Translated with an introduction by Garrett Field and Ravinda Mahagamasekera. Ethnomusicology Translations 16: 1-33. PDF
• 2024. “Musical Improvisation and Elegant Writing: Ālāpana in South Indian Karnatak Music Performed by U. Srinivas.” Analytical Approaches to World Music 11(2): 1-33. | PDF (opens in a new window)
• 2022. “Poetry for Linguistic Description: The Maldives Inside and Outside the Arabic Cosmopolis in 1890.” Modern Asian Studies 1-32. | PDF (opens in a new window)
• 2021. "Scrambling Syllables in Sung Poetry of the Maldives." Anthropological Linguistics 61(3): 364-388. | PDF (opens in a new window)
• 2018. "Improvising Rhythmic-Melodic Designs in South Indian Karnatak Music: U. Shrinivas Live in 1995." Analytical Approaches to World Music Journal 6(2): 1-23. | PDF (opens in a new window)
• 2016. “Modern Contours: Sinhala Poetry in Sri Lanka, 1913–1956.” South Asia: Journal of South Asian Studies 39(2): 1–18. | PDF (opens in a new window)
• 2015. “Veiling the Modular: Literary Language and Subjective Nationalism in Sinhala Radio Song of Sri Lanka, 1957–1964.” The South Asianist 4(1): 1–24. | PDF (opens in a new window)
• 2014. “Music for Inner Domains: Sinhala Song and the Arya and Hela Schools of Cultural Nationalism in Colonial Sri Lanka.” The Journal of Asian Studies 73(4): 1043–58. | PDF (opens in a new window)
• 2013. “‘Handa Eliya’ (The Moonlight): Mahagama Sekera’s Experimental Prose.” Sagar: A South Asia Research Journal XXI: 16–27. | PDF (opens in a new window)
• 2012. "Commonalities of Creative Resistance: Regional Nationalism in Rapiyel Tennakoon’s Bat Language and Sunil Santha’s Song for the Mother Tongue.” The Sri Lanka Journal of the Humanities 38(1/2): 1–24. | PDF (opens in a new window)
• 2010. “From Threatened by Modernity to Reinvented by Modernity: The History of the History of Indian Classical Music 1980–2006.” Ethnomusicology Review 15: 1–6. | PDF (opens in a new window)

Encyclopedic Entries

• 2020. "Singing and Song." The International Encyclopedia of Linguistic Anthropology. Wiley. | PDF (opens in a new window)

Educational Background

Bachelor of Fine Arts, University of Michigan
Master of Music, Wesleyan University
Doctor of Philosophy, Wesleyan University